Photography in the 19th Century Term Paper Example | Topics and Well Written Essays - 750 words

Photography in the 19th Century - Term newspaper publisher ExampleThis paper will argue that both esthetics and kind documentary were dominant natures of photography during the 19th century. It will first define aesthetics and documentary photography as primary terms for this paper. It will then show examples of photographs created by Fox Talbot and Jacob Riis, where each work would be dissected base on the mentioned natures of 19th century photography. At the turn of the 19th century, photography had developed into one of the most reliable medium to express modern art. esthetics became well appreciated because of the developments defered by photography. It explains mans emotions towards art, beauty, creation and taste. With such emotions, the appreciation for aesthetics follows the study of sensory values (Zangwill, par. 1). Complexity was also intertwined with aesthetics as social change became a prevalent concern amongst photographers hence the emergence of documentary photog raphy. Documentary photography is a product of a fervent desire to let images tell a particular story. It implants upon the audience social consciousness which produces acts of persuasion for change (Curtis, 5). Both aesthetics and documentary natures are present within the photographs created by Fox Talbot and Jacob Riis. Fox Talbot was the known inventor of the calotype process a dominant process of photography during the 19th century. ... The subjects who are in their coats give the serious atmosphere exhibited by the photograph. Aesthetics can be derived in this discover by looking at the timely and classic form of photography created by Talbot. It is classic in the sense that the subjects of the photograph exhibit the upbringing of the society male professionals act profoundly and dressed neatly in their suits or coats. Talbots piece is timely because, up to the present time where color and new forms of aesthetic techniques are observed in photography, the classic form of the picture is still well venerated and appreciated through its simple and monochromatic look. Complexity is derived from Talbots photograph by the implication created and intended by the photographer a sense of modernity shown through the story contained within the picture. The photograph shows the subjects seriously preoccupied by setting the cameras they need for a photograph shoot. This story is non a definition of documentary photography in its sense. It doesnt encourage the desire for social change or reform. However, it can still be sort as documentary because the picture transmits and shows a story of photography development and evolution. It, somehow, documents the improvements within the world of photography during the 19th century because the picture shows photographers inclined with improve pieces of equipment. Jacob Riis, on the other hand, shows the real nature of what documentary photography is. In his piece entitled Bandits Roost created in 1888, the photographer shows the social dilemma of poverty prevalent within the suburbs of the 19th century (see Figure 2). Aesthetic wise, Riis work is the same as Talbots photograph it is